Mark Edward Lewis – Cinema Sound download , Mark Edward Lewis – Cinema Sound review , Mark Edward Lewis – Cinema Sound free
Mark Edward Lewis – Cinema Sound
In this detailed course, seasoned audio guru Mark Edward Lewis guides you through every aspect of sound that you’ll ever need to know as a filmmaker. Recording, dialogue, sound effects, foley, ADR, mixing, fixing – it’s all here for you to master in the most comprehensive audio-for-film series ever created.
Subtitles available: English
Modules
Recording: Process, Perfection, and Purpose 1h 36m
In this first chapter of the Record Volume, Mark introduces us to the theory of good recording, and he begins revealing some Hollywood secrets about getting audio recorded well.
Subtitles available: English
Recording: Rules of Recording 1h 59m
In this module, Mark goes over requirements of getting a good recording: gear settings, location scouts, safety, and how the brain processes sound in general.
Subtitles available: English
Recording: Microphones & Other Weapons 39m
In this module Mark goes over the major kinds of microphones used on set and how to protect them from wind including demonstrating what several sound like.
Subtitles available: English
Recording: Lavaliers and Other Munitions 46m
In this module Mark goes over wireless transmission, the concerns around the FCC, wedding recording, lavaliers, keeping mics from being destroyed and understanding how it all works together.
Subtitles available: English
Recording: Sonic Booms & Advanced Microphone T… 1h 05m
In this module, Mark shows us about Boom Pole protocols, how to get voice overs, handling phase issues, the folly of on-camera mics, and how to deal with reflective rooms.
Subtitles available: English
Recording: Recorders, Roll Sound, Now What?
1h 08m
In this module Mark takes through the process of recording, how to best use your recorders to their fullest potential, and make sure you’re doing the right things at the right times while on set.
Subtitles available: English
Recording: Solving Issues on Set – An Antholog… 1h 05m
In this module we watch Mark debunk most of the issues we find on set from simple gear issues to how to prevent anything bad from happening.
Subtitles available: English
Recording: The Review 08m
In this module, we go over the basics of what Mark has been teaching regarding recording in a 10 minute, fast paced review.
Subtitles available: English
Recording: Shoot the Scenes 10m
This module is a Behind The Scenes look at how all the example videos for Cinema Sound were shot and recorded.
Subtitles available: English
How Microphones are Made 1h 01m
In this module we get a tour through the RØDE Microphones factory in Sydney, Australia to see how modern microphones are designed and manufactured.
Edit: Advanced Editing I 1h 25m
In this module Mark fires the opening salvo of information regarding the mysteries of audio editing, and he gives us the basic tools which don’t translate from NLEs – and which are mandatory to get audio organized and ready for the Fix and Mix.
Edit: Advanced Editing II 1h 21m
In this module Mark covers knowledge about editing which isn’t widely known including the right kinds of crossfades to use, normalizing dialog, looping room tone secrets, syncronization mysteries and an overview of the DAW.
Edit: Advanced Editing III 52m
This module is strongly weighted toward cutting ADR and all the functions which are required to get that handled including a surprise from Adobe.
Edit: Final Edit 2h 08m
In this module Mark takes us through three EXTENSIVE edit jobs for the Macbeth, Donuts and brutally noisy Beach scenes.
Edit: Export 1h 33m
In this module Mark takes us through One-More-Pass of Editing and covers everything from special Room Tone Tricks to fix horrific surf-laden DX to stereo DX editing, cutting final voice overs and what to do if your DX goes out of sync in the editing process.
Edit: SFX Editing Basics 25m
In this final module of the Edit Volume Mark shows us how to use simple editing tools to radically change the nature of sound effects
Fix: Resurrecting Dead Audio Basics 1h 21m
In this module Mark takes us through the fundamentals of audio frequencies and how to know which sound like what, how best to use them, a general overview of iZotope RX, Adobe Audition, DAWs in general, the Essential Sound Panel and how to export using Dynamic Linking.
Fix: Killing the Noise and Artifacts I 1h 07m
In this module Mark takes us through best practices of Normalizing audio, Denoising protocols and use, de-reverbing “roomy” dialog and how to create your own impulse response so you can get reverb issues handled in cleanup & ADR mixing.
Fix: Killing the Noise and Artifacts II 1h 28m
In this module Mark shows us how to handle every-day noise and artifact issues including mic bumps, noise, crackle, pitches, plosives and integrated noise issues.
Fix: Advanced Dialogue Cleanup I 1h 03m
In this module we get down and dirty with advanced knowledge of fixing real-world issues we face from loud background elements in our dialog.
Fix: Advanced Dialogue Cleanup II 54m
In this module we are walked through step-by-step methods for dealing with strong background noise on dialog in the form of several examples. We also learn how to use Zynaptec’s anti-digital-artifact plugin: Unchirp.
Fix: Multiple Issues, Multiple Solutions 1h 12m
In this module Mark takes us through really badly recorded audio, including the on-camera mic, and shows us how to resurrect it in ways which aren’t intuitive or easy, but make a massive difference in saving your audio, performances and staying out of the ADR booth.
Fix: Dialogue to the Cleaners I 58m
In this module Mark begins the process of actual dialog cleanup in the example videos beginning with the “action sequence” including cleaning up lavs, shotgun mics, and production audio.
Fix: Dialogue to the Cleaners II 47m
In this module we continue with dialog clean up of the example scenes with the horrific Beach scene and Donut scene where we deal with mono and stereo dialog and begin working with batch capture functions in iZotope RX.
Fix: Dialogue to the Cleaners III 52m
In this module we look deeply at cleaning lavaliers, de clipping, and special tools for dealing with clothing rustle, and how to insure we don’t lose our master audio files when doing destructive editing.
Fix: ADR Recording & Revolution 39m
In this module we discover the wonders of looping vs. ADR and we’re shown how to do it with examples from the Action scene.
Fix: ADR Mixing 1h 04m
In this module Mark shows us how to mix ADR/Looped dialog into on set dialog so we can have seamless transitions between them in the mix
Fix: Dialogue Editing, Mixing & Export I 1h 03m
In this module Mark takes through the Beach scene doing the final strokes and tweezing which is needed to get the dialog mix handled.
Fix: Dialogue Editing, Mixing & Export II 52m
In this module Mark takes us through export considerations for Dialog, special effects on dialog, dealing with dialog norm and compliance, stereo room tone, and how to deal with compression on export.
Fix: Dialogue Editing, Mixing & Export III 1h 05m
This module completes the Fix volume with the final examples of basic dialog grade, compliance, automation, dialog norm and final exportation.
Fix: Killing the Noise & Artifacts in Adobe Au… 59m
In this module, Mark takes us on a tour of dealing with fixing sound using exclusively Adobe Audition.
Effects: An Intro to Sound Effects 1h 08m
In this Introductory module to the effects volume, we jump right in to spotting the five example videos for foley and sound effects.
Effects: Foley, Folks and Fun 1h 31m
In this fun module, we are taken through many sessions of recording foley and shown how to most efficiently capture great foley performances.
Effects: Tips, Tricks and Terror 1h 41m
In this module we discover ways to fool the brain with “foley cheats”, how to manage multiple noisy foley recordings with “batch capture,” we’re introduced to DTC mixing, and we have our first look at controlling foley from a keyboard.
Effects: Loop Groups 49m
In this fun module we learn all about loop groups, how to record them, how to have the performers perform, how to do loop group foley, and how to layer them all together.
Effects: Sound Effects Recording 55m
In this module we discover the importance of recording our own sound effects, how best to do it, how to sync and layer them in post, and we’re introduced to several amazing plugins.
Effects: Advanced Microphone Techniques 1h 10m
In this module we’re shown the value of understanding the distance from source to microphone, what different stereo and mono mic configurations do to the sound, how to always notice the sound effects around us, and how to best turn every day items into amazing SFX.
Effects: Basic Crunching of Recorded SFX 1h 20m
This module deal exclusively with the beginning theories and practices of turning ordinary sound effects into cinematic works of punchy, groovy and exciting art.
Effects: Advanced Crunching of Recorded SFX 1h 04m
This module comprises the advanced knowledge and use of Adobe and iZotope plugins to completely transform a recording into something more useful in cinema.
Effects: Misusing Software for the Best Result… 47m
This fun module shows us how to misuse software to create untold riches of sound scapes and effects from ordinary recordings.
Effects: The Art of Layering SFX 1h 16m
This critical module shows us a few examples of the importance of layering sound effects and how to best do it by using the best parts of each layer to support the whole. It also deals with the exporting of sound effects.
Effects: Ambiences 1h 25m
This module covers everything needed to understand how to use, layer, manipulate, edit and manage ambiences. All five of the example videos have their ambiences cut in during the last portion of this module.
Music: Music, Emotion and Moving Pictures 1h 00m
In this introductory chapter on Music, Mark takes us through the basics of what makes music work, best practices for choosing music, how to identify what part of music is moving an audience, and a few fun examples of media without music.
Music: Choosing the Right Music 58m
In this chapter, Mark shows us several “Hollywood” examples where the original music has been substituted so we can see how important getting the right music is. He also shows us the difference between Major and Minor keys, how to find our demographic, and how to use Music to make scenes move faster.
Music: Choosing the Right Music II 1h 36m
In this chapter, we learn advanced knowledge about when to musically “hit” visual elements on screen, the reasons to use (and not to use) loops in music, editing library music and how to insert and deal with issues from stems.
Music: Music Editing 1h 20m
In this chapter, Mark shows us how to make and export tempo maps, how to do music spotting, when to use library music or original score, and he demonstrates the spotting of all five example videos.
Music: Music Editing II 1h 26m
In this chapter, we learn the specifics around editing music from merging vastly different pieces of music to how to scan music waveforms for the appropriate start times, creating double the music use from the same music content and learning how to use Audition’s powerful “Remix” feature.
Music: Working with the Composer 1h 07m
In this chapter, Mark shows us how to find and structure the deal with composers, how to work with songwriters, editing suites of music (and why to do them), and how to create completely new music from editing stems.
Music: The Process of Writing Music 2h 52m
In this chapter we watch as Mark creates from scratch the entire musical score for the “Action Sequence.” We learn how important having good spotting and an accurate tempo map is, how a sketch can inform a composer about the essence of a scene, how to quickly fill in orchestration, and how the process involved in exporting stems for the mix.
Music: Better & Best Examples In Scenes 1h 03m
In this final chapter of the Music Volume, Mark takes us through Hollywood Movie scene examples where the music has been slightly altered with library music from musicbed.com and shows us the intricacies of choosing the right music for the right scene.
Mix: The Basics of Being a Master Mixer 1h 22m
In this module Mark walks us through the beginnings of a great mix including organization, process, intro to plugins and how you should mix every time.
Mix: Master of Plugin Effects I (Reverb) 54m
This module is an exposé on all things reverb: plugins, routing, use, mono, stereo and surround reverbs and adding special effects to reverb.
Mix: Master of Plugin Effects II (Delay Effect… 55m
This module goes through commonly (and uncommonly) used delay effects in a mix specifically as they relate to re-recording mixing.
Mix: Master of Plugin Effects III (Special Eff… 1h 15m
In this module, Mark takes us through example after example of mashing up plugins into unholy combinations that bring heavenly results to your mix.
Mix: Master of Plugin Effects IV (Dynamic Effe… 1h 29m
This most-critical module deals with dynamic effects which make the difference between a lousy mix and a snappy one, including compression, expansion, de-essing, limiting, maximizing and show-downs with various manufacturers plugins.
Mix: Master Mixer – Dialog I (Basics) 54m
In this module Mark introduces us to Distance To Camera Mixing (DTC), the basics of ADR mixing, where to pan Dialog and how to be compliant with Dialog Norm.
In this module we Mix the Dialog channels for the ENG and Donuts Example Videos and learn a slew of things including dealing with Final Cleaning, Dialog Ambience, Final Volume and more.
Mix: Master Mixer – Dialog III (Action Mix) 50m
In this module Mark takes us through the Dialog Mix for the Action Example Video including more DTC Mixing, general balancing, limiting for dialog, how to create effects for dialog and more.
Mix: Master Mixer – Dialog IV (Macbeth Mix) 1h 21m
In this module Mark takes us through the complex Macbeth Example Video Dialog Mix including more DTC mixing, dealing with noises, managing de-reverb plugins, and general balancing and automation.
Mix: Master Mixer – Dialog V (Beach Mix) 55m
In this final module on Dialog Mixing, Mark takes us through the difficult beach Mix and deals with De-Essers, ADR, DTC Mixing and more.
In this first module on mixing Ambiences, we go through the ENG and Action mixies and learn about panning and automation, EQ, and layering ambiences in the mix
Mix: Master Mixer – Ambiences II (Donuts, Macb… 1h 06m
In this final Ambience mixing module, Mark takes us through the Donuts, Macbeth & Beach Mixes where we learn about Car Ambiences, Panning, Dealing with Room tone and more.
Mix: Master Mixer – Sound Effects 1h 33m
In this singular module on sound effects mixing, Mark shows us the intricacies of layer SFX over Dialog and Ambiences in the ENG, Action and Donuts scenes.
Mix: Master Mixer: Foley I (Macbeth Mix) 1h 02m
In this first module of Foley Mixing, we learn about mixing Clothing, Footsteps, Walk-Aways, and general rules of mixing from the Macbeth Example Video.
Mix: Master Mixer – Foley II (Action Mix) 56m
In this module we mix the foley for the Action Example Video and have more exmples of mixing noisy foley, clothing, automation, footsteps, hits, body falls and more.
Mix: Master Mixer – Foley III (Donuts, ENG & B… 55m
In this final Foley Mixing module, Mark takes us through the mixes for ENG, Beach and Donut Example Videos where we learn about skin foley, room tone vs. foley issues and complete scene replacement with foley.
Mix: Master Mixer – Music I (Theory & Macbeth … 1h 05m
In this first chapter on music mixing, we learn the best way to mix music and the process for doing so in theory and in practice in the Macbeth Example Video.
Mix: Master Mixer – Music II (Donuts, ENG, Bea… 46m
In this final video on music mixing, Mark takes us through the ENG, Donuts, Beach and Action mixes and gives solutions for dealing with both stems and baked-in instruments in stereo deliveries.
Mix: Master Mixer – Integrate and Tweeze I (EN… 56m
In this module, Mark shows us the critical nature of integrating and Tweezing the final tracks into a cohesive and powerful whole by explaining how to choose which tracks to emphasize at a given time in the Macbeth and Beach Example Videos.
Mix: Master Mixer – Integrate and Tweeze II (A… 1h 03m
In this final module on practical examples of mixing, we learn about dealing with black cuts and tails, creating active motion in static music and more in the Action and Donuts Example Video Mixes.
Mix: Conform & Control Yourself 28m
In this module Mark goes over the brutal reality of conforming audio mixes to additional editorial cuts, and how to integrate new elements to the mix last minute.
Mix: Mastering & Export 56m
In this module Mark shows us what we need to know in order to get compliant exports and audio deliverables as well as how to master great sounding mixes using the Macbeth, and Action Example Videos
Mix: Downmixing, Organization & Cheating 40m
In this module, we learn how to route busses for 5.1 export, how to organize and check your files, and Mark puts to rest the age-old argument about real-time vs. offline bouncing.
Mix: The Mixing Breakdown 05m
This short minute clip is a blast through all the important elements of mixing in a “blipvert” montage fashion.
Mix: Internet Mixing, Loudness & Cheating 58m
In this final and controversial mixing chapter, Mark goes over the critical aspects of creating a mix for the internet in the loudness war generation, and proves that louder makes people “like” your production better.
Workspace: Home Studio – Basics 54m
In this module, Mark begins the process of showing us the issues involved with mixing in bad workspaces, how to fix bad workspaces, the kinds of speakers and headphones to mix on, and how to fix the basic issues of most workspaces.
Workspace: Home Studio – Advanced Knowledge 1h 20m
In this module, we delve deeply into room tuning, the kinds of equipment we need to buy – and in what order – speaker placement, person placement and how to cheat the whole process!
In this module Mark gives his wisdom on getting work as an audio expert in media, how to have a powerful mindset to accomplish getting the $50 million impact into your production and leads you in taking the pledge of excellence.
Inspiration: Examples to Inspire 1h 21m
In this final module of Cinema Sound, Mark takes us through 19 of his favorite audio clips from movies and other media that inspire him and demonstrate what excellence looks like from the Hollywood perspective.
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