Annie Errez – Writing Music for Production Libraries

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Description

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Annie Errez – Writing Music for Production Libraries

  • Course Preview
  • Introduction
  • The industry
  • Library music
  • Get paid from library music
  • Submitting demos and being successful
  • Recap
  • Examples of library music tracks
  • End stages

Live Q & A

  • Q & A

Meet Your Teacher
Annie Errez

Both a well respected DJ and producer based in Leeds, Annie Errez has been plying her trade across the North of England and around the UK for quite some time after becoming a resident at the infamous Mint Club back in 2008 and long running resident of System.

About This Course

Some high-end libraries may master your work, Royalty free libraries expect complete mixed and mastered tracks. Annie discusses these options as well as Metadata & Track Names. 

Production libraries can be a good source of income for music producers,Production music can be used for a variety of media applications; Podcasts, Games, Radio Ads, Jingles, Sound FX, Film Scores and many more. Annie discusses the applications and how you can make money from them.

You will learn:

  • What are music libraries?
  • How to get paid from music libraries
  • Ways to submit music
  • Various media applications for library music
  • Choosing an album style
  • Picking reference tracks
  • Technical and Creative considerations
  • Mixing and Mastering
  • Metadata and Track Names

Lessons: 

1. The Industry
Production music can be used for a variety of media applications; Podcasts, Games, Radio Ads, Jingles, Sound FX, Film Scores and many more. Annie discusses the applications and how you can make money from them.

2. Library Music 
A fast rising music tool due to the high number of streaming applications, there is now more air time to fill than ever, hence the importance of library music.

3. Getting Paid from Library Music 
There are numerous ways to monetize from library music; royalties, licensing fees and more can be a good side income for music producers or a sole income for sound creators.

4. Submitting Demos & Being Successful  
Annie explains how to submit demos to Music Libraries, she highlights the various points to increase your success rate within these libraries.

5. Recap & Introduction 
Discussing stock and production music, Annie recaps on ways you can get music onto online libraries that media professionals can browse.

6. Examples of Library Tracks 
Annie shows us examples of tracks she has written for the intention of getting them onto music libraries.

Frequently Asked Questions:

  1. Innovative Business Model:
    • Embrace the reality of a genuine business! Our approach involves forming a group buy, where we collectively share the costs among members. Using these funds, we purchase sought-after courses from sale pages and make them accessible to individuals facing financial constraints. Despite potential reservations from the authors, our customers appreciate the affordability and accessibility we provide.
  2. The Legal Landscape: Yes and No:
    • The legality of our operations falls into a gray area. While we lack explicit approval from the course authors for resale, there’s a technicality at play. When procuring the course, the author didn’t specify any restrictions on resale. This legal nuance presents both an opportunity for us and a boon for those seeking budget-friendly access.
  3. Quality Assurance: Unveiling the Real Deal:
    • Delving into the heart of the matter – quality. Acquiring the course directly from the sale page ensures that all documents and materials are identical to those obtained through conventional means. However, our differentiator lies in going beyond personal study; we take an extra step by reselling. It’s important to note that we are not the official course providers, meaning certain premium services aren’t included in our package:
      • No coaching calls or scheduled sessions with the author.
      • No access to the author’s private Facebook group or web portal.
      • No entry to the author’s exclusive membership forum.
      • No direct email support from the author or their team.

    We operate independently, aiming to bridge the affordability gap without the additional services offered by official course channels. Your understanding of our unique approach is greatly appreciated.

Refund is acceptable:

  • Firstly, item is not as explained
  • Secondly, Item do not work the way it should.
  • Thirdly, and most importantly, support extension can not be used.

Thank you for choosing us! We’re so happy that you feel comfortable enough with us to forward your business here.

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